Review: I Sell the Dead

Never trust a corpse. I think we can all agree that is some sound advice. And if you're a grave robber, it goes double. These lessons are learned the hard way in  I Sell the Dead, an indie flick from 2008 starring Dominic Monaghan and Ron Perlman.

Jack (o-lantern) Of All Trades

In today's entertainment industry, let alone the horror business, it's common for someone to be devoted to one artistic pursuit. Maybe they're a director, maybe a novelist, maybe an illustrator. It's rare to find a jack-o-lantern-of-all-trades, if you will. This was not always the case. American theatre and film was once choked with men and women who did it all. Without their tireless efforts, it's not unfair to say that classic horror (and entertainment media in general) as we know it today would be quite different.

No list about multi-tasking entertainers can start with anyone besides George M. Cohan. Dubbed "the man who owned Broadway" for obvious reasons, Cohan was a ridiculously successful playwright, composer, lyricist, actor, singer, dancer, and producer. Yes, I did just copy that from Wikipedia. Saves time. Cohan did vaudeville at an early age, and would eventually go on to write over 500 songs in his lifetime, including the immortal "You're A Grand Old Flag." What does he have to show for horror cred? Not much, although he was the primary inspiration for Sander Cohen, the insane composer featured in the Bioshock games. That's got to count for something.

Yeesh. It's like Salvador Dali and The Joker's lovechild.

Review: The Facts In the Case Of Mister Hollow

Just when you think that there's no more originality in horror films, a gem works its way up through the festival circuit and surprises everyone. Three, in fact. The Demonology of Desire, The Eyes of Edward James, and The Facts In the Case Of Mister Hollow are short films directed by Rodrigo Gudino, founder and original Editor-In-Chief of long-running horror publication Rue Morgue Magazine. First premiering at the 2006 Toronto International Film Festival, all three shorts have garnered critical acclaim as well as rave reviews from the horror community. I have yet to view Demonology or Edward James, but I was lucky enough to catch a screening of Mister Hollow. Something's not quite right about this photograph.

The Pros And Cons of Horror-Comedy

In the past decade, most horror films released were... legitimately terrible. Gore-hungry filmgoers usually had the unsavory choice of either seeing a poor remake -excuse me, "re-imagining"- of a classic, or an American redo of a film that was far better in its native tongue. There was also a glut of vampire romances which I do not need to name here, suffice it to say that I'm looking forward to the next Garlic Years period. The one ray of light in this sea of sewage was a handful of horror-comedies, notably Shaun of the Dead, Zombieland, I Sell the Dead, and, to a lesser extent, Dead Snow. (I've just realized that all the films mentioned feature zombies. Cannibalism guarantees big laughs, kids.)

As I've said before, horror and comedy go down real smooth. They both rely on well-timed shocks and outrageous predicaments, so it's not hard to see how they flow into each other. But is mixing funny and frightening the best thing for the genre? Let's draw up the list.

"Freaky Fun For Everyone!"

If you're like me, your love of the macabre started early. It's hard to pinpoint exactly when I turned to the dark side, but one thing certainly brought the ghastly home: Madballs.

Oh, do get your mind out of the gutter. I'm talking about these: